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Color Matched Trim

Finding trim is easier if you’re looking for black, white or common color. This fuschia jacket made from a wonderful soft Mendel Goldberg boucle wasn’t going to be easy, particularly if I wanted to avoid introducing another color. I did add silver or gold, depending on buttons.

When creating a trim, I make several variations to experiment with different yarns. If you’ve attended one of my trim classes, the techniques will be familiar.

All examples of trim use the same basic method. I make samples about 4 inches long. Once you decide which version to use, calculate the finished amount of trim you need. Measure the sample created with 20 stitches. If 20 stitches gives you 4 inches of trim and you need 40 inches, then start with a chain of 200 stitches.

First create a crochet base. Chain 20 plus 3. Turn and make a double crochet in every stitch. Weave a brass tube through the finished base to block it and even out the stitches.

Let cool and remove the tube. Weave a smaller tube through the stitches as shown. Pull the desired yarn or fabric through. Push the woven strand to one side and weave the tube through, alternating in and out with the first strand.

Chain stitch around the edge. Here I’m using a strand of flag yarn pulled from the boucle fabric. Using strands of yarns from the fabric guarantees a perfect match.

Finish with a chain stitch in the center. I did a version in gold and one in silver to audition with different buttons.

Trim 1: Using a size F hook, crochet the base with Sesia Elegant yarn with color: Rose. Chain 23, turn and make double crochet in every stitch.

Cut bias strips of fuschia silk double georgette 1.5 inches wide, fold in half lengthwise and stitch scant 1/4” from folded edge. Turn and stuff the silk tube with bulky yarn.

Weave the silk tubes though alternate double crochet stitches. Make a chain stitch through the middle with gold yarn. Finish the edges with a chain stitch using flag yarn pulled from leftover boucle.

Trim 2: Same as trim 1 except use size D hook for the base. Weave 3/8” wide bias strips of silk georgette through. Chain stitch through the middle with size C hook. Edge with the flag yarn from fabric.

Trim 3: Crochet base making double crochet every stitch. Weave one row of gold tape yarn, one row 3/8” wide silk georgette, one row gold tape yarn. Edge with flag yarn from the fabric.

Trim 4: Crochet base using gold metallic yarn and size E hook. Chain stitch along each edge with flag yarn from boucle fabric.

Trim 5: Use 3/8” wide bias strips of silk georgette as yarn. Crochet the base. Weave 4 strands pink tinsel yarn plus two strands metallic yarn through. Chain stitch inside the edge with gold metallic yarn.

Hard to make a decision. Possibilities are endless and by making your own trim you can guarantee a perfect match. Two opportunities to further explore French jacket construction and trims: New England Retreat, September 19-24 and Couture Sewing Class, Palm Beach Gardens, FL, January 16-21. 2023. These classes are not limited to making a French jacket but if you choose to work on a jacket, you will receive the identical information presented in the November French jacket class. The classes are small and allow for individualized instruction. You will receive my 100 plus page manual describing construction techniques unique to the French jacket plus an extended session on trims.

Enjoy creating your own unique trims.

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Recreating Couture

What do you do when this extraordinary fabric finds its way to the sewing room?

Here’s the designer dress to clone.

The pattern is a slim fit basic bodice with princess seams ending in the armseye, both front and back. The skirt draft is a flared skirt, split along princess lines and pleats added. Precise pattern matching is critical. The easiest way is to cut every garment section from translucent pattern paper; full front bodice/skirt, right and left bodice/skirt pieces. Lay everything out and be sure the motifs line up before cutting anything.

Notice that the grain lines are centered on each skirt section. The fold and lap lines of pleats are also marked, making it easy to position pattern pieces accurately.

This fabric frayed like CRAZY so each edge was serged using super fine thread; my favorite is Gutermann Scala 360, TEX weight 8. The serged edge adds no bulk and can’t be felt. This fabric was also super resistant to pressing. It folded easily along the crossgrain but required loads of steam plus my large tailors clapper (made from lengths of unfinished hardwood) to convince the seams to lie flat.

I chose a crisp silk taffeta line the skirt but felt it was too stiff for the bodice lining. Silk charmeuse was perfect. Lining extends to the edges of armholes/ neckline and fell stitched in place. For the skirt hem, I cut a 4” wide facing from silk taffeta and applied it to the hem. Edge stitching along the inside of the pleats keeps them in place. French thread tacks keep the skirt lining in place.

Finished!!!