Drafting Patterns, French Jackets, Uncategorized

Convert a Two Piece Sleeve to Three

A distinctive feature of many French (Chanel) style jackets is the iconic three piece sleeve. Vogue 7975 is a favorite starting pattern for many; however the sleeve is a standard two piece. I’ll go through my method for converting the pattern from a two to three piece sleeve.

First, trace the pattern onto translucent pattern paper. Eliminate the seam allowances. It’s much easier to alter patterns when you aren’t dealing with seam allowances. Make changes to the pattern, then add seam allowances back if you are more comfortable working with patterns which have seam allowances included. Include the marks indicating underarm and shoulder points as well as grain lines. Mark the front and back of the sleeve cap to eliminate confusion.

Working on a grain board/cutting mat makes it easy to keep the pattern properly aligned. Arrange the pattern pieces as shown with grain lines parallel to each other and seam lines just touching along the back armseye seam. Tape or weight the paper so it doesn’t shift.

Using a second sheet of pattern paper large enough for the entire sleeve, trace the shape of the sleeve cap from the underarm point to shoulder point, continuing through the front armseye seam. Mark the underarm and shoulder points. Also draw a line at a 90 degree angle to the grain lines intersecting the underarm point. This line represents the biceps width.

Move the undersleeve pattern to the front, arrange grain lines parallel to each other and trace the remainder of the arsmeye seam to the underarm point.

Also shift the grainline on the upper sleeve section so it is in line with the shoulder point. Connect underarm points with a horizontal line which should be perpendicular to the grainline.

Your draft should look like this:

Draw dashed lines from the underarm points to the hem. They will be parallel to the grainline and be the same distance apart as the biceps width. Measure the distance along the biceps line from back to the new grainline (intersects the shoulder). Measure distance from grainline to front underarm point. Compare the measurements. I’m working with a size 10 pattern. The back measures 7”; front measures 6.5”. Therefore the grainline is offset 1/2” from the midpoint of the front and back underarms. If your pattern size varies slightly, then use the measurements from your size. The additional curves which are mirror images of the armseye seam will be covered in upcoming steps.

Now calculate the sleeve taper from underarm to wrist. Measure the wrist on front and back sleeve sections and add them together for total sleeve wrist measurement. Size 10 is 9 inches. I want to offset the wrist by the same amount of the biceps. Divide 9 by 2 equals 4.5”. Add 1/4” to 4.5” for 4.75” back wrist. Subtract 1/4” from 4.5” for 4.25” front wrist. 4.75” plus 4.25” equals 9” so the total matches amount measured in the previous step.

Also draw in the elbow line. There are various methods for determining the elbow placement. You can measure from underarm to elbow. If you’re not sure, divide the underarm seam in half. Place the elbow about one inch higher than the midpoint.

Where the elbow and underarm seam intersect on the sleeve back, mark a point 1/4” wider than the elbow. Measure the distance from this point to the center grainline. Divide this distance in half (should be about 3 inches). Measure 3/4” down from the elbow line. Draw a line from this point to the halfway point just plotted, forming a dart at the elbow.

At the back wrist, mark a point 3/4” towards the center and 3/4” below the wrist hem. Connect the lower elbow dart leg to this point. The wrist will be shortened 3/4” so 3/4” needs to be added to the front underarm. Draw a line from the elbow to a point 3/4” to the right of the original seam.

Connect the front and back wrist hem with a smooth curve. Also shift the center grainline from elbow line to wrist 3/4” as shown.

Fold the pattern vertically, matching back underarm to grainline. Turn the pattern over with underside up. You will see the armseye curve. Using a red pencil, trace the curve as shown. Repeat for the front.

Now you will draft the narrow under-sleeve. Starting at the underarm, measure 1 and 1/4” to left of grainline; 1 and 1/8” to the right. Move to the elbow line. Measure 1 and 1/4” to the left, 1” to the right. Move to the wrist. Mark 1 and 1/8” left of the angled line, 7/8” to the right. Connect the points to form the under-sleeve. Shown in green.

The under-sleeve now needs to be removed from the outer edges of the back and front sleeve. Measure towards the center of the sleeve on both back and front, the same amounts that were used to draft the under-sleeve. Back underarm, measure in 1 and 1/4”, front underarm 1 and 1/8” towards center. Elbow line 1 and 1/4” along the back, 1” along the front. Wrist 1 and 1/8 at back, 7/8” at front.

This is the right sleeve. The under-sleeve as drafted is for the left sleeve. To create a right side pattern, flip the sleeve draft over and trace the under-sleeve onto pattern paper.

Flip the draft back to the right side and cut the back and front sleeve sections as shown. The elbow dart won’t be sewn as a dart. When constructing the sleeve, you will ease about two inches either side of the dart, drawing up the excess length to match the under-sleeve seam.

Shorten the front sleeve seam about 1/4” and redraw the wrist hem curve. The front seam will be stretched during construction to produce a better curve in the finished sleeve. Yes, the front sleeve seam that attaches to the under-sleeve will be slightly shorter than the corresponding seam on the under-sleeve pattern.

If you want to add sleeve vent for buttons/ trim, tape extensions onto the pattern. I used 1 and 1/2” wide and 4” long. If you want longer vents for more buttons, then just make the vent longer.

The grainline of the undersleeve can be changed to bias providing a little more flexibility in the sleeve.

French Jackets

Chanel and the Sleeve, Part 2

Getting a high, tight and well fitting sleeve is one of the key elements in a Chanel style jacket.  The three piece sleeve is designed to give that snug fit as well as place the vent a little more forward to showcase buttons and trim. My last post outlined how to go about converting a two-piece sleeve pattern into a three.  Another issue with most of the commercial patterns is that the armscye is rarely high enough and the shape of the sleeve cap doesn’t really fit that well.

I’ve spent the last month researching sleeve drafting. Never did I imagine it would lead to an intensive study of just about every method in multiple languages. Where to start? A website devoted to fairly advanced topics in tailoring is cutterandtailor.com. Most of the discussions of sleeve drafting referred to German systems which were complicated, difficult to translate, and I found the sleeve shape geared to mens’ tailoring.  The sleeves I drafted from these tended to be too wide and the sleeve cap too short. This site does have tons of valuable information about just about every tailoring topic. Numerous other drafting books produced less than perfect results.

The Mueller system got closer to what I wanted but placed the top of the sleeve cap too far forward. Finally!!! I found European Cut. This manual by Elizabeth Allemong is a compilation of the best French, German, English and Italian drafting techniques written in easily understood terms.  The system is far from quick and easy.  You will need patience and attention to detail but this is by far the best I found. I’m surprised it’s not more well known.

I decided to work with Vogue 8991, one of Claire Shaeffer’s new jacket patterns. It has a three piece sleeve so that part of the drafting work is already done.

Jacket Toile
I added my standard 1 and 1/4 inch to the waist length and decided to reposition the front seam. Otherwise the muslin fits perfectly. I’ve started using Osnaburg fabric, available at Joann Fabrics in the utility fabrics section, for jacket muslins. It’s heavier than regular muslin and since it’s 100% cotton, shapes easily. I wait for the discount coupon and buy 10-20 yards.

The sleeves were a different story. The pattern envelope shows fairly narrow sleeves but when I made the trial version they were much too wide at the hem and very long. The sleeve cap was also in need of reworking.

What I liked about European Cut is that the sleeve draft is based on the armscye of the garment, not arbitrary standard measurements. The sleeve cap is unevenly divided with the back width longer than the front. Since the back armhole of the jacket body is always longer than the front it makes for a better fit.  The front sleeve cap also protrudes more but the back cap curve is shallower.
Scye 8991
The scye shape from which a new sleeve shape can be drafted.

Pattern 1
The paper draft.

Pattern 3
The black outline is the pattern, red is the redraft, and green is the final draft. The sleeve cap needed raising 3/8 inch and underarm raised 1/2 inch. I also narrowed the sleeve slightly.

Sleeve Pattern Hem
I didn’t care for the flared hem so here are my changes to the bottom of the sleeve pattern. This fabric can be eased and shaped much more than regular muslin. I feel it mimics a soft wool better and gives a better read as to the final fit.

Shaped Sleeve
Completed Shaped Sleeve
Shaped sleeve ready to set.

Modeling Toile 2
I was on a mission to perfect these jacket sleeves and feel that the hard part is done.  Finally the fun of sewing this can begin!

French Jackets

Chanel and the Sleeve

The past month has been occupied with a quest to develop a sleeve pattern for the French boucle jacket. Chanel was obsessed with sleeves. Axel Madsen writes in Chanel: A Woman of Her Own: “she would pin up a dress as many as twenty times to get it right. Armholes were her bane-and the engineering secret of her jackets.” Jackie Rodgers, a Boston-born mannequin, would recall: the armhole was never high enough, and she’d reset a sleeve six times. The high armhole gave the jacket the cleaner, closer fit she wanted.”

Also, just some interesting notes regarding us sewers referring to our projects as “Chanel jackets.” I’ve read that Chanel takes a dim view of this and states that “only Chanel can make a Chanel jacket.”  True but Coco had somewhat a different take on those who copied her work.  Axel Madsen also notes that: “Coco had always believed that any fashion not adopted by a majority of women was a flop. To see herself copied in the street was the greatest compliment. Piracy was the flattering result of success.”

We may not be able to make a “Chanel jacket” but Gabrielle Chanel would have been flattered by sewers devoting endless hours to emulate her work.

In order to avoid the “home sewn” look, you need to get the fit of your jacket perfected, especially the shoulders and sleeves. Too many jackets appear that are much too large through the shoulders. Most commercial patterns have sleeves which are much too wide and the whole effect of the chic jacket is lost.

The three piece sleeve seems to be the holy grail of Chanel jackets. I found almost nothing published on how to draft this sleeve and so began my quest.

This post will demonstrate my method of drafting a three piece sleeve from an existing two piece sleeve. Future posts will explore custom sleeve drafting and some radically different sleeve shapes.

First I’ll deal with the armseye shape. The scye, as it’s referred to in professional tailoring language, is the basis for beginning the sleeve draft. If your jacket has the wrong shape and size armhole, you have no chance of getting a correct sleeve fit. Perfect your muslin fit and make any changes necessary to the sleeve before proceeding. You will also need to remove all seam allowances from the pattern. All professional pattern drafting is done without seam allowances. If you try this process without removing the seam allowances, things will become muddled very quickly. Sorry to those who prefer to work with seams added.

The scye shape is easiest to visualize by laying the jacket body sections on a grid with the armhole seams just touching and all grain lines parallel.

image
Here is an example of a poorly shaped scye. It is too narrow, vertical and doesn’t follow the natural shape of the arm. The armhole is also too low. Much better drafts look look this:
scye 7975
Vogue 7975
Chanel scye
The scye from a Chanel ready to wear jacket.
Scye 8991
Vogue 8991
Scye shapes overlaid showing the small variations.
Scye Overlays

I’ll use Vogue 7975 as the example of how to draft a three piece sleeve. This is a pattern used by many as the basis for their Chanel style jacket. It also has a two piece sleeve, perfect for demonstrating how to transform it into the coveted three piece draft. The McCalls pattern shows what to avoid. It should also be clear from these diagrams that substuting one sleeve pattern for another can be risky. Imagine trying to get the sleeve from Vogue 7975 into the McCalls armhole. Sleeves are drafted to correspond to a specific armhole shape and size. You might get away with switching the Vogue sleeves but even that might require some tweaking.

The first step may appear counter-intuitive, but I found it easier to return the two piece draft to a one piece and then draft the three. Altering and combining the two piece into three created multiple issues and this approach worked better for me.

Start by aligning the grains and have the seams just touching. Remember, NO SEAM Allowances.

Tracing Sleeve 1

Tracing Sleeve 2
Trace the sleeve cap shape onto paper, either gridded or plain. Stop the tracing at the underarm match point on both front and back. You should now have a sleeve that looks like this. Don’t do anything with the lower sleeve yet; all you want is the shape and size of the armseye seam.
Tracing Sleeve 3
Connect the underarms with a straight line. From the shoulder match point drop a line straight down which intersects with the underarm line at right angles. Make it a few inches longer than the sleeve length. Measure and mark the sleeve length from the top of the sleeve cap to the hem. Mark back and front as its easy to get confused until you’ve done this a few times. The back will be slightly wider than the back. I’ve written 6 5/8 on the back and 6 3/8 on front.

Now mark A, B and C as shown. Cut along the sleeve cap line.

sleeve cap points
Fold point C directly on top of point B and trace the underarm seam.

underarm line 2
underarm line 1
Fold point A directly on top of B and trace the underarm seam.
You should now have this:
underarm line 3
Measure out along the underarm line 1 and 3/8 inch left of B. Measure 1 and 1/8 to right of B. You are starting to form the undersleeve piece.

Next you need to draw in the bottom of the sleeve. Measure the finished width of the sleeve hem. Size 8 measured 8 and 3/4 inches.  The line down the middle of the sleeve is offset 1/4 inch towards the sleeve front; 6 and 5/8 along back underarm, 6 and 3/8 along front underarm. Therefore you need to offset the hem by the same amount.

Sleeve hem measures 8 and 3/4, half of which is 4 and 3/8. Add 1/8 inch to back and subtract 1/8 inch from the front.  Your sleeve hem will measure 4 and 1/2 inches along back sleeve and 4 and 1/4 inches along front sleeve.
sleeve hem
The sleeve needs to bend at the elbow to follow the natural shape of the arm. Every drafting source I found used arbitrary values to establish this bend. After measuring countless arms and sleeves I decided what made more sense was to duplicate the angle. A perfectly straight arm would have a straight line from top to bottom. Most peoples’ arms bend at about 175 degrees with the elbow as the pivot point. The dress form with sleeve showing this angle.
elbow angle on form
A Chanel sleeve from a ready-to wear jacket showing this angle.
elbow angle on chanel
This shows a two piece sleeve but the angle remained remarkably consistent with everything I measured. Therefore, I decided to draft the lower sleeve to reflect this angle. Draw a horizontal line where the elbow bends. Measure from the top of the sleeve. This measurement isn’t critical so just get close but don’t go crazy trying to find the exact point. This is the elbow line.
elbow angle
elbow angle 4
This pushed the seam 3/4 inch towards the right. In order to maintain the width at the hem, the center line and front seam needed to be redrawn 3/4 inch towards the right. Come straight down from the sleeve top, pivot at the elbow and continue to the hem.

To finish the under sleeve pattern measure out along the elbow line 1 and 1/4 inch towards the sleeve back (left of center) and 1 and 1/8 inch towards the sleeve front (right).undersleeve 3
At the hem measure 1 and 1/8 inch towards back and 7/8 inch towards front. Connect the points from the underarm line through the elbow line and pivot to hem. Your undersleeve should look like this. It is is red.
In order to complete the back and front upper sleeve patterns, the width of the undersleeve needs to be subtracted from the upper sleeve pieces. Along the back seam, measure in 1 and 3/8 at the underarm, 1 and 1/4 at the elbow and 1 and 1/8 at the hem.
Along the front seam, measure in 1 and 1/8 at the underarm, 1 and 1/8 at the elbow and 7/8 at the hem. These lines are shown in green.
upper sleeve draft
Add ease to the back upper seam to allow the elbow to bend. Measure down 3/4 inch from the elbow line and form a dart about 3 inches long. This will be eased into the seam. The seam needs to lengthened by the same amount so lower the hemline 3/4 inch and angle upwards to the front seam.

elbow dart

 

angled hemTrace off the under sleeve, shown in red. Be sure to mark front and back. The upper sleeve is for the RIGHT sleeve, the under sleeve is for the LEFT sleeve. This pattern gets flipped for the right sleeve. Don’t get confused. That’s just the way this draft works.

lower sleeve final
Trim the upper sleeve pieces along the green lines and along the center line. They can look similar so be sure and label them before you cut apart. You can also trace them to save your master draft.
upper sleeve final
Final sleeve draft.
completed sleeve Next will be a mock up to test the fit and adding a working vent. This post took hours to write and I hope not too confusing. I am going a little buggy now and hope it makes sense. Please let me know if any steps need clarifying and I’ll address questions in the next post. This was a while coming but I think most of the glitches are worked out. Next is custom drafting the sleeve cap.